Guide John Boehner: An Unauthorized Biography

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Memoir, biography, and corporate history

More informative than reading a few newspaper articles or websites about John Boehner. But Boehner didn't become speaker of the house until after this book or monograph really--it's short was written, so obviously the content covers his pre-speakership career as a businessman and congressman. Reading about Boehner's involvement in the "Gang of Seven" in the early s was interesting. But this book really doesn't give any inside information, and it seems that no interviews with people who kno More informative than reading a few newspaper articles or websites about John Boehner.

But this book really doesn't give any inside information, and it seems that no interviews with people who know Boehner were conducted for this book. Superficial content earns this book two stars.

Carol rated it liked it Oct 29, Mara Mellstrom rated it liked it Jan 07, Andreea Mosila rated it it was amazing Jul 07, Julia McCurley rated it it was amazing Feb 28, Mara Mellstrom rated it it was amazing Dec 25, David rated it it was amazing Oct 25, There are no discussion topics on this book yet. About David M. David M. Books by David M.

A first-rate academic biography leaves readers feeling they know everything there is to know. Excellent insight into the life of Penelope Fitzgerald and the writing of her biography. Read this especially if you feel you've had a run of bad luck.

Jamie's practical observations about writing biography, such as what's hot, how to make money, what he thinks about academic publishers and self-publishing, etc. Although many writers leave instructions regarding posthumous publication and designate official biographers, conflicting interests between heirs and the public often overturn the expressed wishes of the deceased, writes Hamilton. God, what goes on there under his eyes? When writer AD Harvey invented an meeting between Dickens and Dostoevsky, it was for years accepted as fact.

So why did he do it — and why did he also create a series of fake academic identities? Fascinating profile of a man whose speed at finishing his dissertation and publishing a book made him suspect in academia. Rockefeller recommends that students of biography read Churchill's book about Monroe. She shows persuasively, and with flair, that not every biography of Monroe can be true in all the details, because they contradict each other profoundly.

Her book will burn into students' minds the lesson that biographical truth should never be taken for granted. Greene James Nye, Daily Mail, , illustrated with photos. Fashion and celebrity photographer Milton H. Greene was only 26 years old when he photographed Marilyn Monroe for Look magazine. He went on to take thousands of photos of the Hollywood siren, capturing both her vulnerability and her sex-bomb persona.

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Carl Rollyson wrote: "a fascinating study of biography as a genre and why it has incurred so much hostility. Parker's process arrives to the truth of the matter in a field littered with the rambling surmises of New Critics hoping to eradicate authorial insight in favor of critical skewerings. Parker not only stands for the tried and true ways of literary tradition, but also embraces the potential of the Internet and blogging to enable the potential of new information as well as finding new ways to reach an audience that continues to expand generation after generation.

Excellent New Yorker essay, The Historical Romance: Edmund Wilson's Adventures with Communism , in which Menand writes: "Intuitive knowledge—the sense of what life was like when we were not there to experience it—is precisely the knowledge we seek. It is the true positive of historical work. Birzer, The Imaginative Conservative, Biography, it seems, carried about as much weight in the scholarly world as did a People magazine article. She learned a lot about her grandmother through her biographer's research. She would never have learned it herself, she says; you don't think about investigating your grandmother.

Ian Ker Oxford University Press blog, on writing academic critical biographies -- which capture the subject's intellectual and literary lives: G.

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Dwight Garner, reviewing T. Stiles accusing Edward J. Renehan Jr. Ross wrote this now-classic fly-on-the-wall "profile" after following Hemingway for two days while he and his wife Mary were stopping over in New York enroute to Venice. It was a model others, including Gay Talese, would follow. Johnson's life. Interesting on the process of writing a biography. Johnson, she stayed at his Texas ranch Jobs was dying of cancer Contemporary biography has always been a tricky balancing act, even before Paula Broadwell demonstrated with her book about David H.

Petraeus how the scales can tip decisively the wrong way. Look at the slideshow of Caro's painstaking process , especially slides 7 through Lyndall Gordon anticipates a new 'golden age' of biography: "If biography is ever to shape an art of its own, it will have to surrender the swollen tome of "definitive biography" We need to co-opt the narrative momentum of stories, the inward intensity of poetry, and the speed of drama, without surrendering the authenticity that is biography's distinct advantage.

What happens when a biographer learns about potentially explosive information after the book is finished. Unidentified key players are the bane of biographers, who cannot resist the urge to tie all the knots. After publication, Sachs receives information about one such player from a reader fluent in genealogical research--and also learns he should have gone down one peripheral path of research he had chosen not to pursue. By redacting all documents, no matter how benign, the government is throwing its past down the memory hole. Supreme Court, What he did about a controversial quotation that left an unwarranted blot on the life and legacy of Justice Clark.

In earlier days, biographies were created a variety of forms and with different purposes from today: to edify and instruct, to counsel and polemicize. With a memoir, they can talk about what they related to in the story. And when done right with truth it satisfies our craving for authenticity. The same series of events — becoming a parent, getting a divorce, losing a loved one, finding a job — can be a tale of resilience and restoration or misfortune and regret.

Therefore, you gotta start with the big rocks You can spend months or even years here But there are a hell of a lot of facts, and the more time I spent in the Johnson library, the more facts I got. The more facts you get, the closer you come to whatever truth there is.

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Why do we start with these 'big rocks? Most people won't have the interest or patience to read about them them. And other things to avoid. In this world, and in our country—where so many of us feel a lack of connection, where the challenges seem so large—writers who dare to tell the brutal, honest truth about their humanity offer us a gift Memoirs can do that: remind us that we are all flawed and complicated, all doing the best we can, none of us free from suffering They remind us that we are more alike than different.

They make us feel less alone. This begins to sketch the spine of your plot and the arc of your story. What varies is which questions are raised and answered and to what extent. Answer too many questions, and you burden readers with irrelevant information and risk undermining suspense; answer too few, and you create false suspense; confusion. If the searing emotionalism found in the work of most repeat memoirists Angelou, Augusten Burroughs, Mary Karr, Jamaica Kincaid, Joyce Maynard, Frank McCourt, Lauren Slater would seem to have been generated by forces other than those fueling writers who, at the end of, or well into, their careers, tack on a few autobiographical works to their oeuvres Diana Athill, Gore Vidal , one quality unites all these writers.

Their lingua franca is candor. Save money on therapy. Write your life story. Styron is author of the memoir Reading My Father , and Kathryn Harrison, author of the memoir The Kiss , about dealing with memoir characters who really exist and other challenges. Are family loyalty and literary integrity necessarily at odds? The story can become less authentic. And there are other potential pitfalls to writing your life story. Writers can be thrown into despair if they have trouble reconciling past failures or placing traumatic events into a larger context.

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People who can construct cohesive life narratives—where there are common threads and one event leads to the next—are likely to benefit from writing a memoir, he says, while those who view their lives as a series of random, unrelated events are not. His research has found that life narratives are especially beneficial if they focus on redemption and overcoming adversity.

But secrets foster a specific version of reality in which the individual pieces have to be arranged in a particular way, fitting so neatly together that if just one were to change position, the whole picture would fall apart. Suddenly you are not who you thought you were. And then who are you? They speak of a fear of rejection, a fear of criticism, a fear of backlash, a fear of failure. What I always say to these women is, 'If you can't do it for yourself, please do it for your sisters.

Please write your story in the world, for the benefit of other women. Lakin, on Jane Friedman's blog, Choose the type of voice that best suits the story you are telling. Avoid sounding whiny or looking for sympathy it's annoying. And "I have grown to understand that people have their own ideas of who and what I ought to be, wounded victim or heroic survivor. They may enjoy the attention or be enraged by it. Stalled, with three unsatisfactory manuscripts in a drawer and an MFA in creative writing, Herron discovered through NaNoWriMo National Novel Writing Month that her best process was to write a "fast terrible [but revisable] draft," a process that she found worked for both memoirs and novels.

Who cares? What's the conflict to be resolved? Are you believable?